Joining us for the first time as a Special Guest Speaker, celebrated writer, performer, musician, and educator Ryka Aoki, recipient of a University Award from the Academy of American Poets. Author Robert Morgan (Gap Creek) calls her He Mele A Hilo (A Hilo Song)—out August 26th from Topside Press—“A debut novel unlike any you have ever read.” Maureen McCody (Junebug, Walking After Midnight) lauds, “Rich in authentic voice, the book is grounded in emotional honesty, rhythmic prose, and doses of humor and heartbreak that loft the reader along as believers in Aoki’s thrilling dream.” Ryka was last with us as a conferee and we’re thrilled to welcome her back, let alone boasting such beautiful affirmation of her literary talent.
We’re getting great suggestions for topics many would like addressed at LA12. Given the accelerated pace of galvanizing trends across the entire publishing spectrum, it’s no surprise emerging writers require as much real-world perspective from those now in the trenches and successfully plying their trade—whether it be in Big 5, boutique house, hybrid or self-publishing—in order to make an informed decision on which path to choose. As usual, the SCWC brings plenty to the table. Among our new business and indie publishing “Do Yourself Independence” sessions lined up:
Among the many craft & execution workshops slated:
The response to our Scrivener software workshop at this past February’s conference was such that Ara Grigorian returns with not one, but two sessions he’s been crafting: “Scrivener Demystified: Maximize the Value, Minimize the Stress (for Beginners)” and “Scrivener in Practice: Advanced Tips and Techniques.” Having become a recent convert, there’s no doubt in my mind that it should be considered the go-to software in almost any writer’s toolbox.
A reminder that Drusilla Campbell’s “NovelCram: Building the Better Book” immersion track, along with the two-part “Best Forward: Polishing to Impress” workshop, led by Jean Jenkins, are both very popular and require pre-registration as they tend to sell out. While there’s more wiggle room with NovelCram, BFF is strictly limited to 12 participants. If you’re writing genre fiction, you do not want to miss it.
The bedrock of the SCWC remains its emphasis on producing exceptional craft by providing writers with empirically qualified feedback on their work. In addition to our usual storytelling prose and query letter read & critique workshops, at LA12 we’re going to test one devoted to book summaries. Reason being is that we’ve seen so many writers—especially author-publishers—post such awfully written book summaries on their Amazon pages and elsewhere that they instantly snuff any interest in exploring them further.
The odds of a good book being discovered and propelled to success by discerning, book-buying readers are slim, so long as confidence in the writer being a professional is undermined every step of the way. Presentation is key. That means a book needs:
Should be fun, so bring a paragraph or two write-up of your book and let’s see if it needs fixing.
SCWCer Mary Vensel White’s The Qualities of Wood, her debut novel and the first book chosen for publication based on nominations from the Authonomy writing community, went on to win a 2012 International Book Award for literary fiction. Initially released only in digital format, come June 17 HarperCollins finally drops the hardcopy of the book and we couldn’t be more pleased. There’s a recent interview with Mary over at Authonomy.
Out August 5th, our own Mary G. Thompson’s follow up to Escape from the Pipemen drops from Houghton Mifflin Harcourt. The comedic fantasy Evil Fairies Love Hair tells the story of Ali and her middle school classmates, who are raising hundreds of two-inch-tall fairies in effort to make their wishes come true. Thing is, it turns out the little imps have plans all their own: to replace all the parents in town with the awesome magical powers they possess to do so!
Out now on Kindle is SCWCer Jennifer Hilborne’s third installment of her popular Jackson mystery series. In The Blackest Night our favorite homicide inspector is forced to turn to a wrongfully convicted ex-con with problems of his own, in effort to solve a murder he just might be connected to.
That’s all for now. Plenty more staff to add to the schedule, as well as the schedule itself. We’ll begin opening up the Advance Submission Readers for selection shortly. Remember that Newport Beach is more limited in attendance than our Winter conference in San Diego. Take advantage of the discounted pre-registration price today to secure your spot. Your words are worth it!
—Michael Steven Gregory
Executive Director, SCWC
A refreshing mystery without a murder, Good Sam delivers on many fronts. The debut novel from Dete Meserve, it has earned the 2013 Reader’s Favorite Book Awards Gold Medal. Kirkus declared it, “[A] solid feel-good romance sparked with mystery.” And Barbara Schroeder (Beverly Hills Confidential) raves, “Bravo! Author Dete Meserve takes us into a world not often explored, and writes fluidly, always leaving the reader wanting to turn the page… Hot stuff!” Not only our third Special Guest Speaker to be announced, Dete will also be conducting a workshop, “From Book to Screen: Turning Your Novel into a Film or Television Series.” As president of Wind Dancer Films, producer of TV hits such as Home Improvement and film successes like What Women Want, as well as several book-to-screen adaptations, it’s a subject she knows well.
Speaking of workshops, as we begin sorting out the schedule for September, please feel free to submit topic suggestions. Naturally, beyond our slate of critique and craft sessions, we’ll devote plenty of needed attention to the most pressing legacy, indie, and self-publishing issues. Despite what too many say, regardless of which route to publication you pursue, attaining success will ultimately hinge on inspiring confidence in your readers—and delivering on expectations roused—each and every step of your journey. Beyond writing an exceptional book, how best to do just that will be covered in our “Do Yourself Independence” (DYI, not DIY) track.
SCWC veteran Teresa Burrell’s been busy. All five titles in her ongoing legal thriller series are newly available as audiobooks. The Advocate, The Advocate’s Betrayal, The Advocate’s Conviction, The Advocate’s Dilemma, and The Advocate’s Ex Parte can all be had and heard at Audible.
From longtime SCWC author/workshop leader Michele Scott, Dark Harmony: A Vivienne Taylor Horse Lover’s Mystery, the second in her Fairmont Riding Academy series, is out May 20… Also out next week, in a departure from the Peri Minneopa mysteries she’s best known for, author/workshop leader Gayle Carline introduces readers to new characters and a new venue in Murder on the Hoof.
Finally, on the young adult front, the second in Valerie Wicks’ 7-part Seven Spectral series is out. The Orange World Outlaw follows her 2012 debut, Into the Red World. Congratulations and best of success to all!
We’ll begin plugging in what authors, agents, editors, and other pros will be joining us on the staff page soon, along with what workshops are being lined up. Advance submission readers will start being listed early June. Remember that Newport Beach is more limited in attendance than our winter conference in San Diego. Discounted pre-registration is highly recommended.
More soon. In the meantime, we’ve begun recording the reading of SCWC Topic Award recipients. You can listen to LA11’s honored entry here, written by Stephanie Lewis. The topic was “bidet.” And don’t forget: Aim for awe. Settle only for exception.
—Michael Steven Gregory
Executive Director, SCWC
Selected a “Best Buzz Book” by PublishersLunch for Spring/Summer 2014, Isla Morley’s Above tells the story of a 16-year-old girl abducted and locked in an abandoned missile silo by a survivalist convinced the world is going to end. Booklist calls it, “[A] menacingly sinister tale of imprisonment… that will appeal to fans of riveting psychological suspense and cut-throat dystopian fiction.” The Boston Globe hails, “A compelling tale of survival, reinvention, and hope… Vivid and poignant.” “[An] audacious page-turner,” declares Publishers Weekly. And from Sara Gruen (Water for Elephants): “Grips your heart from the first page and doesn’t let go… A novel to savor.” Isla will join us as a Special Guest Speaker in Newport Beach to discuss her latest novel, and whatever the hell else she wants to.
Our second Special Guest Speaker to be announced is none other than Tonilyn Hornung, winner of the SCWC*LA8 Outstanding Non-Fiction Award for the manuscript that became her breakout success, released just this month, How to Raise a Husband: A Whole Bunch of Ways to Build a Strong and Happy Marriage. A prolific essayist and blogger, Tonilyn’s inventive discoverability campaign supporting the title’s release includes a series of fun trailers, which everybody should share. Welcome back, Tonilyn!
Since reporting so many SCWCers with titles due out in our February 26 update several more have dropped or are about to. Among them, Jeremy Lee James has released the first installment of his Nephilim Chronicles, I, Jequon, a taught thriller chronicling a half-angel, half-human’s fight to prevent a modern day “Holycaust” being waged against his noble people by an ancient religious cult… On the epic Armageddon front, Christopher P. Simmons delivers a sprawling, fresh take on the End Times prophecy, Judas Christ: Immaculate Inception. In it, following his betrayal, Jesus’ most infamous apostle prays for a second chance and is given it–some 2000 years later.
Fantasy folk can regale in Dot Caffrey’s Awakening Powers: Book One in the Trilogy of Power. Of it, multiple award-winning author and longtime SCWC workshop leader Laura Taylor lauds, “Readers will delight in the characters, both good and evil, and the world-building skills of the author… A 5-star achievement”… An equally delightful urban fantasy, Janet Tait’s Cast into Darkness is also just out. Mixing magic, megalomania and mystical intrigue to provide yet another fun foray in yet another far-spun otherworld, it marks the debut of her projected Kate Hamilton series.
And for both the young ‘uns and our elders, we got two new titles to glean: First up is from that unstoppable force of nature, Sheri Fink. The fifth of her “Whimsical World” of cherished children’s titles, The Little Seahorse also marks her 5th No. 1 best-selling debut… And from conferee Lynne Martin, whose travel memoir Home Sweet Anywhere: How We Sold Our House, Created a New Life, and Saw the World sprouted at SD27, the book is now out to wide acclaim, even landing her only this past week a guest appearance on CBS’ “The Morning Show.”
Congratulations and best of success to all our SCWC community authors!
As we now begin finalizing the itinerary for LA12 and which legitimate, genuinely knowledgeable authors, agents, editors and other pivotal publishing professionals will be joining us in September, much focus is being drawn from our new Sunriver Writers’ Summit intensives in Central Oregon. Strictly limited in size and planned to take place twice a year—one in the spring, one in the fall—the Summit grew out of what many of us behind the SCWC have come to believe: Too many writers remain too un-prepared for today’s industry reality. Because of that, they’re often bilked by publishing predators and punksters, or writer events that unapologetically ally themselves with entities whose mission is solely to profit from doing so.
Writers must break the cycle of rejection, whether it be from agents, publishers or, most importantly, book buying readers. With the ease of publication what it is today, far too many writers are giving up on the traditional path to publication altogether and simply skipping straight to self-publication. Not necessarily a bad thing, but just because you can doesn’t mean you should. The overwhelming majority of titles—especially those that are self-published—fail to find a readership for a reason: they’re not ready for public consumption.
Craft matters, today perhaps even more than ever in the past. Aspiring for mediocrity does not a good writer make. And good writing doesn’t necessarily equate to good storytelling. A good writer understands this. A good, commercial writer respects the expectations of her reader, aims for awe and settles only for exceptional in each and every step of the book production process. Unfortunately, most writers don’t discover their work is far from good enough until it’s been rejected by agents and editors. Or worse, after their book’s been self-published and too late.
We need to address that. And, as usual, we will again tailor an SCWC that uniquely guides you along the right path to publication success on your terms.
In the meantime, as requested, we’ve begun posting extended audio podcasts of some of our Special Guest Speakers’ talks from the archives. There’s a lot, but only a few are up and running at the moment. You can find them at Voqel.com/SoCalWriters.
—Michael Steven Gregory
Executive Director, SCWC