Today’s guest blogger is Jean Jenkins, a co-founder of the SCWC, consultant to writers and freelance editor with over 25 years of editorial expertise placing clients with major publishers in both the U.S. and abroad. “The hardest part is the individual meetings,” an agent once told me
SCWC Content and Social Media Manager Lacey Impellizeri profiles multiple award-winning author Matthew J. Pallamary. LI: How long have you been writing? What is your experience in the industry? Did you ever expect to become an author and what is your favorite part of being an author?
[View roast video highlights.] I think it only apt that on the occasion of my 30th Southern California Writers’ Conference *San Diego I should lose my voice. In the screenwriting world we like to explain that, good dialogue is the verbiage you wake up in the morning wishing you’d said
Was reading a book, a “summer read” many would call it, devoid of epic themes or turgid prose, or need of a thesaurus within reach. Generally a fast, breezy romp, a summer read is a simple story simply told. In this case: Boy meets girl. Girl loves boy. Boy and girl are forced to work
So often it is we judge literary success only by the quality of our rejection – Hey, they spelled my name right on the rejection letter! – that it’s easy to lose faith in one’s path to publication. In and of itself, even publication won’t guarantee less rejection from book critics and
Why? It’s the most important question in writing; the one I hear most during the run-up to a conference. Usually it’s about material going to advance submission readers. “Why can I only submit the first 10 or 15 pages of my manuscript?” I’m asked. “Why not more?” Fair questions. Warra
San Diego’s “Mother Superior” of the writing community has died. Let me share a little how she lived. Betty Abell Jurus–B.Abell–had been a writer long before opening the Writers’ Bookstore & Haven. A claustrophobic, deep, dark closet of a space located in u
Publishing is personal. A stark woman with a swift, purposeful gait, a writer, reminded me so some years back. She and her husband drove from British Columbia to San Diego in a Winnebago to attend her first-ever writers’ conference, the SCWC. They parked on the street and slumbe
[Today’s guest blogger is Jennifer Silva Redmond, freelance and acquisitions editor, and former editor in chief of Sunbelt Publications.] Here’s the thing—I can’t figure out what all of you supposedly “social media savvy” authors are up to on Twitter. I get the thing about tryin
“The end,” I intoned at length, laying bare the pages of story before me. Having devoted the previous six years to almost exclusively writing screenplays and TV scripts only a rarefied few ever actually read, I’d begun fretting over whether I still had the chops to write prose for pub
Note: Originally published in my “Prognosis of a Movie Unmade” series, this article specifically addresses writing synopses for screenplays. Over the years, however, I’ve been told that it has served of value to novelists faced with the daunting task of distilling th
Michael Steven Gregory is an award-winning, independent filmmaker and WGA screenwriter of material ranging from mainstream drama and bio-pics to animated action-adventure and videogames. He has scripted series for Fox, UPN and HBO, directed television and features in a variety of genres, and been involved as a writer, producer or director in over 150 short films. His longform projects include the doculogues We, The Writer and We, The Screenwriter, the romantic-comedy A Valentine Carol, and groundbreaking Don King Presents: Prizefighter, for 2K Games. His books include the popular Disc Golf: All You Need to Know about the Game You Want to Play (Trellis).